Live Report 5/16/09, Shinjuku Holiday: Chemical Pictures, PRIMEADDICT, Siva, etc.

Finally, an update of substance!

Our morning started out very punctually; we got to the studio on time, loaded our equipment in our van and made it to Holiday on time. But just before it was our turn to go up for rehearsal, Schwarz realized that we didn't have his pedal board. Calls to the studio were initially unhelpful, which was a further snag, but Shunsuke (bis) let us change out rehearsal time, and we were able to secure the missing equipment. So that took a bit of the wind out of our sails at first.

After our rehearsal, we headed into makeup...

Ta-da! New costumes all around!!

To be honest, I really liked the previous look we were doing so I was initially hesitant to change something I was actually comfortable with, but I'm really pleased with how they've come together.

We two, you can barely tell we're supposed to be in the same band!

As for the live itself... I had some sound problems, by which I mean the sound in the house was fine, but I could barely hear myself on stage. And that leads you to subconsciously play harder than you usually would, which contributes to more mess-ups. Also, somehow we missed a particularly important cue that, admittedly, only we ourselves would know we missed it. And the new costumes are really hot. After we got off stage, we were all rather frustrated with ourselves.

But our lady from Visualive took video and pictures for us, and as we watched it, we realized that it wasn't nearly as bad as it felt up there, and the fans went pretty wild for our new country-blues song that I didn't think would elicit such a crazy response!

Also I don't know that I'll ever get used to a club full of girls screaming "Jimi!!" That still feels weird. :-P

Now, I didn't get any personalized presents, although the rest of the members did. Even so, there was still a lot to go around. Strangely, we received almost nothing but donuts.

Mister Donuts funky faux-hambuger donuts, and a dozen Krispy Kremes.

This was dinner and it was DELICIOUS

We had to wait a million hours to go on, so we played cards and shogi a whole bunch. A very good idea in hindsight.

Siva's bassist is amazing as you all may know, and he and I bonded over talk of Jaco Pastorius and that made us pretty giddy.

Huge thanks to Shunsuke for putting the event together, to mom (the Japanese one) for having nothing but nice things to say, to mom (the real one) for her surprisingly good memory when it comes to our live schedule, Yuri (Rubik), Yuana (Boogieman/ex-Kagerou), Holiday (for putting us on the cover of this month's Holiday Magazine), Visualive (for interviewing us for the newest issue of Alive magazine), all y'all who've said such nice stuff... Surrounded by too many awesome people to count.


Next Saturday, Area; BE THERE or not thats cool too ill understand

Live Report 3/14/09, Shimokitazawa Mosaic: Chemical Pictures

What a night.

Masami, making last-minute changes to our MTR.

How terrified I look!


We met up a couple of hours before entrance time to get our rental cars, loaded up the equipment, picked up our makeup girl, then tried to get to Mosaic on time. We were only a half-hour late, but even then it was beginning to look like there was no way we'd start the show on time. We dodged the girls doing irimachi, Tenten took their presents, and we headed into makeup.

This is our roadie, Uta, in charge of the tedious task of strawifying our stage water bottles.


We had an intense, 2-hour sound check, where we did a lot of fine-tuning, and since it was a one-man, we were able to make very specific requests to the PA girl, who was stellar, and the lighting guy, who was spot-on.


Head into final hair/makeup check and somehow we actually managed to start almost on time!

The set started out with a projector playing a countdown over the Chemical Pictures logo and that pretty guitar piece. As it got to 10, the crowd started counting down along with it. Schwarz's guitar squealed the intro to the heavier intro, and the screen dropped, revealing us in the sparkly sunglasses. Tenten came out in the middle of it and the crowd got even more wild.

Tenten is quite the performer, getting much more involved with the crowd than I've ever seen a vocalist get in this genre. He was pretty worried about me before we went on, just because I seemed so nervous, but to be honest once I get out on the stage I'm perfectly fine.

That said, though, the place was jam-packed to capacity! We had to actually cut down the guest list because tons of people were showing up. It had sold out in January but then they added more tickets and then those sold out too. There were two guys with video cameras on either extreme end of the stage, one foreign photographer from a particular foreign magazine, and fans were squished all the way up to the front. No press pit, no dividing bar, just the stage and then people. Tenten would frequently just seem to walk into the crowd, and they loved it.

Masami looked like he was having a blast; Joe really stepped into his new crazy character, and Schwarz was smolderingly cool.

During one of the MC's, Tenten spoke about how he and Joe were from the same hometown. He talked about Masami helping out, he talked about Schwarz being a prodigy, and then he said "and Jimi... well, just look at him, you know what's up." He mentioned my appearances in Tommy's videos and that got them going too. :)

The MC's that night were pretty serious in nature, as it had been quite awhile since his last time on stage. I thought he was a good speaker, which sometimes is not the case with vocalists and MC's.

I have never played material as heavy as "In My Dream" or "Suffering" before, and that was such a rush! Everyone was bouncing all around that tiny, tiny stage. At one point Tenten dived into the audience, which felt good to me because there's no way any normal VK venue would have allowed that.

Oh, and I managed to catch a cold THE DAY before the thing, so bad that my voice barely came out. Through various means I managed to be able to sing, but only barely... I really wish I'd been in tip-top shape, but them kids and their germs...!


It was really nice to have hair/makeup staff, goods staff, a house staff, and a roadie for us. Made life so much easier. SO much easier. They were attending our every needs, and it reminded me a lot of my various acting/modeling gigs. I make sure to thank them profusely because they had to endure some of our silly requests.

We sold Polaroids again, this time THIRTY per member, and we had to sign/draw/write on them all. That took a long time too.

Tenten is, obviously, the most popular member, but as the show went on I heard an awful lot of "Jimi!" too. D:

Anyway, after our final song, the call for "encore!" went up almost immediately. We played Radiohead's "Creep" and "Pearl" by The Yellow Monkey.
And then we got called for another encore; we did "Suffering" and "Pureparato" again, and then out.

TONS of presents for Tenten, and lots of visitors, many in the shape of other bandmen bringing beer, which we sorely needed at that point! A couple of the guys from Rubik were there to say hello, as was Shunsuke from bis, Mika from Rentrer, and Ruvie's vocalist. The woman who collaborated with Tenten on the jewelry from Vanilla Edge is also the one who did the Flash on our website, and she's wonderful and it's been great to work with her and I was glad to hear the nice things she said about the performance. There were also all sorts of other important-looking people I didn't know and I just smiled and looked cute and said hello and thanks and stuff.

I had just played a two-hour set with no rest and yet I did not feel tired at all; only exhilirated. What a rare feeling. We changed, gathered all our stuff, dodged the demachi, and headed out.


So then here's our next live:

May 16, 2009 (Sat)
"Ishin-Kaiten Vol.17"
Shinjuku HOLIDAY
Open...16:00 Start... 16:30
Adv: 2800 yen, Day: 3300 (+drink)

・Chemical Pictures
・SIVA
・Drop Star shooting (ex.GHOST's Kousei's solo project)
・Gilltia
・PRIMEADDICT
・Aya
・The Vambie
・DRO'LE

Tickets on sale from April 4th at CD HOLIDAY. You can yoyaku for any band except ours, apparently, for some reason... I'll figure out why in a coupla days. :)

Also, these live pictures are awesome can't wait for you to see them, but it won't be through me! :-*

Live Report, Urawa Narciss: Tora Sky Walkers

Last night was a great, great show!

First, we met up at 11am at Narciss and rehearsed for a couple of hours. It was the first time I'd met our lead guitarist, Kuma, from AibeLL. Kuma is a fantastic guitarist who got his own ESP model made for a hefty price. It's vaguely strat-like but quite an amazing guitar. He has extensive experience in BeaU as well as some non-visual bands.

The rehearsal went well, and it finally got me comfortable with the songs to the point that I was no longer worried about screwing up too badly or forgetting where the songs went. The songs were standard old punk fare, but sometimes the songs did some interesting things that were a bit uncharacteristic.

Kayuki, vocalist of Homura, was borrowing their guitarist Mitsuru's red Gibson SG and effects pedals. Kayuki is more of an acoustic guitarist so he was quite nervous, but I think he did a good job. Mitsuru also manned our merch table for us. He's a very small shy dude so even I took part in playfully teasing him. :3

It was also the first time in a long while that I've played with a live drummer, and I can think of few other drummers I'd rather play with than Yuichi. He keeps time very well and doesn't rush, and I like the way he mixes things up. He makes playing bass very fun and easy to play around with. Yuichi is G.O.Z VII's drummer, and he also does support for all the other Narciss-label bands with drummer problems.

After the rehearsal, Hidetora still had to work in the office that evening, so he turned us loose and just said to be back in the dressing room by 5 for hair and makeup, as well as photos. I was thinking of going home and taking a rest, but the other four of us ended up going out to lunch and then shopping at the Parco that was recently built on the other side of the station. Kuma in particular is very keen on clothes shopping, and Kayuki, Yuichi and I were glad to come along. Kayuki is a huge Gundam and Kamen Rider nut and excitedly questioned if I liked any of that. I had to admit that I wasn't terribly familiar with Gundam, which he seemed saddened by, but I said I do remember Kamen Rider being broadcast a bit when I was little. He seemed glad about that. It was pretty adorable. Hidetora and I talked about Voltron and Transformers a bit too, because that's more his generation.

At the music store in Parco, I sat down at a piano and played a little bit, and they other guys whipped out their phones and snapped pictures. Kuma put a pic of me playing up on his blog.

We did hair and makeup with the staff (well, Kuma and Hidetora did; Kayuki, Yuichi, and I all did our own) and then took polaroids. We signed them and then shuffled them all together.

At the merch table, which our hair/makeup staff and Mitsuru were in charge of, there were mirrors, towels, and a small handful of t-shirts with the T(S)W logo on them, as well as current CDs from AibeLL, Homura, and a few leftovers from G.O.Z VII. Finally, for 500yen, you could pick one of the polaroids, but which one was decided vaguely lotto-like.

And then it was time for the live. And then the nerves struck. But all that quickly melted away as we took the stage. Now, Hidetora, Kuma, Kayuki, and Yuichi are all signed to Narciss's label and work for their offices, so they're fairly well-known. I was the nobody. So people were surprised when I came out. I stepped up onto the block, threw my arm up and struck a rockin' pose, and the crowd response was really loud. I heard a loud chorus of shocked "Kakkoii!" and wondered if they weren't talking about someone else, but Yuichi was already at the kit and Kayuki hadn't come out yet.

Hidetora's on-stage banter is top-shelf stuff. All his jokes revolved around the idea that were were coming to the tail end of a ridiculous world tour; when Kuma was out of tune at the beginning of the song and asked to start over while he fixed it, Hidetora said, "I expected it from Kayuki, but not from you! Last night in Moscow it was Kayuki out of tune all night!", "Tomorrow night is the last show of our career, at Tokyo Dome", and "We picked up Jimi a few days ago at CBGB in New York". He was able to create this crazy Tora Sky Walkers mythos in the 30 seconds between each song.

He also took the time to let the audience know what bands each member came from and what was coming up for them; he told them that Laverite was on hiatus for now but that in the mean time they could catch me in various music videos. Which also got a huge response. And then he said Tommy February instead of Heavenly. :3

Before our set people had bought the towels and were waving them around for most of our performance; it felt like a Japanese reggae show. Another thing that I noticed was that with 5 people on a stage, things get cramped! Ryota was awesome and came to see us and came back to the dressing room afterward and said, "you didn't move around as much as usual." WHAT D:
If I moved to the right, I'd hit Kayuki; if I moved to my left, Hidetora was guaranteed to come body-check me out of sheer exuberance; if I stepped backward, I'd be accompanying Yuichi on drums with a Cobain-like crash. My options were limited, although I did have a couple of well-timed jumps with Kuma.

After our last song, the call for an encore came IMMEDIATELY; unfortunately we'd exhausted our repertoire. In a last-minute decision, we played the first song again, this time with "Urawa Narciss" in place of "Hibari Hills" in the chorus. (They rhyme in Japanese. I promise.)

The energy was just right, the members felt good, and the crowd was just so wonderful, with quite a lot of them calling my name by the end. :D It's a very strange feeling since I'm so used to, and comfortable with, sort of hanging out on the fringe or background.

At the merch table, they were selling the pictures we'd taken, and Mitsuru told me that many were aiming to draw mine. Several girls who got mine approached and asked if I would sign them. Despite my pointing out that they were already signed, they wanted me to sign the back as well. O_o Lovely girls, every one. Just such positive energy.

The other 4 guys are part of the Narciss label so they were guaranteed a tiny percentage, but that night they treated me as if I was as well and let me in on the cut. We easily oversold the base amount of tickets, and that, combined with the merchandise sales, gave me quite a bit of take-home money. So basically I decided I should keep doing high-profile sessions!

I was lightly mobbed as I tried to leave that night; I had made many new fans and they were all interested in trying to talk to me. A small handful attempted some English, which was sweet. I left like an hour and a half later than I had intended, though!

Basically these dudes are the best and I'm so glad I got to pump out some jams with them. They all were eager to tell me that if they ever need a bassist for anything, they'll give me a shout. This is what playing in a band should feel like, and now I think I have a better bead on what I'm looking for.

Live Report 11/23/08, Urawa Narciss: LAVERITE, Vagu Project, etc

We'd known that Yue was going to be leaving for awhile, so we wanted to make the circumstances surrounding it as maudlin as possible. If Visual is anything, it is purposefully artificially melodramatic.

I mean, don't get me wrong; Ryota and I are indeed quite bummed that Yue won't be with us anymore, but we framed the whole thing around the concept of "graduation", as most Japanese bands do. And since Yue is against the idea of being in a band ever again, it certainly does feel like "growing up" to him. I sincerely respect this and am in awe at his resolve.

Preparations began last week at our final studio rehearsal. Ryota had prepared a new opening song to play as we came on stage, the incidental music to some old TV drama; and the new free CD was a music-box version of Sephirot. Ryota explained to everyone that it should be like a lullaby: "we'll be gone for awhile, but put this song on, go to sleep, and dream; when when you wake up, we'll be there."

How ridiculous is that? :D

Another thing we'd decided is that frankly we were just done with our costumes. We liked the graduation theme so we decided to wear suits, which was evocative of Raphael in particular. Luckily I was in the market for a new suit so I easily justified the purchase, and even got a discount because I was super nice to the older lady helping me out. (It's amazing how much being personable will get you over here.)

These are the CDs that we prepared; it was the first time we'd distributed something in a standard jewel case so I felt proud, I suppose.

Someone sent us floooooooowerrrrrrrrrrs

I got a haircut & straightening too, again at Harajuku Lipps, which is the place for which I was a dancer/hair model back in April at the Gatsby/Choki Choki event. They always do a great job and are always doing a lot of work for models and magazines. They are STILL giving me a scandalous discount so of course I keep going back. The fact that they count me as a friend helps too. If you click on "staff" and then on "photo" down at the bottom, there are a few pictures from that event.

It's nice to have bangs to speak of, it feels much easier to style, and of course I'm stick straight again. I've had this urge lately to start over and go back to my natural difficult curliness. I will probably regret this.

Yue has a cool hat.

The staff at Narciss has always taken great care of us, above and beyond the care I feel a band like us really deserves. Hidetora, formerly of G.O.Z VII, has been a particular friend of Laverite, giving us great advice, introducing us to great people, and the like. He also was able to get us to go last that night, "seeing as how this is an important night for you guys", and the staff was more than willing to make the schedule so.

Unfortunately this meant an awful lot of waiting. We got to Narciss at 11:30am with the other guys to load equipment into the place and filled out the paperwork for the show (guest list, reservation list, member pass list, song list with lighting cues and PA requests, I think that's it). Since the rehearsal order is the reverse of the performance order, we started setup immediately to begin rehearsal right at 11:50. That took until maybe 10 past, and then... waaaaaaaiting. Foreeeeeeever.

Luckily, Vagu Project was going to go on right before us, so we both had a lot time to wait, so we got to hang out a little bit in the dressing room to pass the time. Keita even came to see me, as I'd given him a pass, and we got to hang out before I had to go down and get ready. That night was also Masaki's birthday party, which I, for obvious reasons, was unable to attend. Keita took a little video message of me first, though, and then went down to watch us.

I was more nervous than I can remember, which is strange, because Ryota, Yue and I all had a beer before the show to prevent that very thing. Ryota barely drinks and ended up not drinking over half of his. Lightweight! Worse than me!

Typically numbers for Laverite are fairly low, but this time there were a staggering amount of people in the place. Inertia was there, Kyu, Bunny, Keita, one of the girls from the Lolita shoot I interpreted for this summer, long-time fans and new faces.

It felt great. Energy resonates back and forth between musicians and listeners and builds to high tension. We played Sephirot, Tenkuu no Kanata e, Kamen no Butoukai, Sexy Dance, and SOLIDARITY. Yue had a nice little MC after Sephirot, and just before Solidarity, we each said a little something. I thanked everyone for supporting this silly little group, and then switched to English to thank the large number of foreigners there that evening.

I love the new suit, and with the new hair and slightly different makeup I felt more intense in my performance. Yue was on a roll, and while Ryota would tell me he made a few mistakes (typical Ryota grumbling!), I thought he was fantastic.

During Solidarity, I was beaming like an idiot (standard fare), when I spotted one of the girls in the very front row with an inexplicably forlorn look on her face, and man I had to look away or I woulda started looking equally sad.

And then it was over.

We went back, the curtains closed, and the album I always hear at Narciss, Abandoned Pools' "Humanistic" (which the PA guy always plays when we're there because he knows I love that album), come over the house speakers, and we paused to let things sink in. We heard typical post-show chatter from the fans through the backstage door. We, however, were silent. "And that's it," said Yue.

And then, "En-co-re! En-co-re!"

Wait, what? Us?

The backstage phone rang. Yue answered. He listened, then said, "Yes, we'll do it."

The chanting continued, and real quick we three just said, "Criticism? Yeah, we'll do Criticism," and one of the stagehands came back and said, "whenever you're ready."

I went out first, and then silence, which is the reaction that tends to accompany me. Ryota and Yue followed and a fan in the front row got Yue's attention and gave him a bouquet of flowers. It was seriously all Elagabalus up in there with all the flowers.

Then followed the wildest performance of Criticism we've done. It felt good. It does not feel good, however, two days later, and it especially did not feel good the day after either. I am in paaaaaaaain. Good pain. (Just kidding, pain is pain.)

Then a quick jaunt out front to greet fans, then back inside to clean up and talk to a potential new singyman maybe don't hold me to that, and then cleanup, which also meant taking home the huge bouquets at the door. At the demachi we went around to every girl waiting out there in the cold and gave them a flower.

So Laverite is on hiatus. I plan on doing sessions and other stuff and mostly just taking a break I guess, but Laverite isn't quite done yet. Things look moderately up in a lot of respects.

One is a session band with Hidetora (Akira, G.O.Z VII), with him on vocals, Yuuichi (G.O.Z VII) on drums, Kayuki (Homura) on guitar, and me on bass! That'll be December 8th at Narciss, so come check it out!

Yue will always be a friend; he is a genuinely good guy. I'm glad he's happier these days. ^_^

Thanks to everyone's well-wishes and support, whether you came to see us or not, we three were able to have a really neat year together.

What am I going to write about in the meantime?? :-P

Live with Becca, Shibuya 109

A coupla weeks ago, I played a showcase live with Becca in front of the 109 building in Shibuya.

There had been a TV filming in Osaka to which I had been unable to go, so that morning when I went into Becca's makeshift dressing room to make the requisite greetings, she hugged me and said "I'm so glad we have you back!" and it was really neat to feel like I'm an important little cog.

I look bewildered here because no one has pointed out my Yes shirt yet. Security was out in force and it felt crazy to be treated like that. I almost didn't like being rushed from one place to another, or getting screams from the crowd almost as excited as the ones they gave to Becca herself. Come on guys, this ain't my show, it's hers! This crowd extended pretty far and security was trying to keep them within a barricade so as not to block off the street or at least a small walkway.

All these pictures were taken by La Carmina, who unfortunately is no longer in the country, but back home finishing up her book. Due to security and the fast-paced nature of the whole thing we didn't get to speak much, but I thank her for coming out all the same! Okay fine I'll look like I'm enjoying this! (hint: i was enjoying this)
And I guess you've gotta have a shot of the artist in question, right?

We played 3 songs; the song from the video, one of her other singles, and a Cyndi Lauper cover. Once at 2, once at 4. Some friends had come to see me as well and I made sure to give them a heads up while I was up there. Masaki and Keita came to support me and were making fools of themselves waving and cheering to get my attention. I adore those two.

Afterward, I came back down relatively disguised (per advice of security) and called Keita to see what he and Masaki were up to. They were playing pool nearby, but he told me to wait in front of 109 and he'd come get me. I was definitely spotted a couple of times by stragglers and asked to take pictures with them, which I don't mind doing at all but it just all felt so strange. It was almost too quick a jump, from lame VK band of questionable popularity to being filmed by the media and squealed at for being someone's fake guitarist. Not complainin' at all, just... a lot to process.

And luckily at the end of the day, it was just me playin' billiards with some buddies, going home, and trudging to work the next day like normal. I think I can only manage playing dress-up a coupla times a month. :)

Live Report 10/19, Urawa Narciss: LAVERITE, OZxBONE, CKroll, etc.

http://sound.jp/laverite

For our 2nd live in October, we all decided that we'd wear something a little different. We only had two lives left for our current lineup, so we didn't mind experimenting.

Yue went with a black zippered vest, Ryota went with his old black costume, and I went sans white jacket, darker makeup, and much bigger hair.

The show itself went very well, but because the set list was all our more energetic numbers, it felt like it was over pretty quickly. And then of course was our big announcement.

Just before our last song, Yue told the audience that our next live, 11/23 at Narciss, would be his last as Laverite's vocalist.

I always used to sort of scoff skeptically whenever I read that a member was leaving a band because of "musical differences". However, when Yue mentioned for the first time that he was thinking about leaving back in September, it was clear that he was having a very hard time reconciling how much he enjoys playing with Ryota and me, and the kind of music he would actually like to do.

It was clear that he was struggling with it, as he and I had grown pretty close and were better friends than ever. He thought that I would be sad or upset or angry or something, and while I was indeed surprised, I tried to look at it from his perspective. If this sort of Lareiney, Malicey music isn't what he would really like to do, and we keep playing with a handful of bands who are doing what Yue would actually like to do, he would just end up resenting our music and his fellow bandmates. He's had too much of a good time up until now with us to throw that away by keeping his head down and plowing forward with a style he's not that attached to in the first place.

He and I talked a lot about it, and I tried to encourage him. Even if he just stuck it out for a full year, I said. Finally, he broke the news to Ryota, whose usual taciturnity was thrown by this announcement into something that resembled a vow of silence. But they talked a lot as well and there are absolutely no hard feelings.

I know that may seem hard to believe, like we're trying to put up a brave face, because airing intraband grievances publicly, which I have seen a few Japanese and Western bands do, is supremely tacky. But it's absolutely true. I think everyone's looking for that group of guys and that style that just locks into a groove for them. Most times you find one and not the other. Sometimes the pros outweigh the cons and you stick with it, but I think Yue wanted another shot.

The first live we played after Yue had told us officially, we played with a band called Ray. Ray was going to lose their singer, and their drummer and Yue became friends. They were being produced by a former member of GOZVII, whom Yue had loved and respected. The drummer asked Yue if he would be interested in joining.

Long story short, Yue decided he would join that band. But it wouldn't last very long. Rehearsals were far enough away to require a trip by shinkansen, and because there was a label and actual studio recording/CD pressing involved, not to mention talk of buying a van, the amount of money he would have to invest just to get things rolling was absurd to the point that he would have had to take out a loan. And it just wasn't worth it. He was having a rough time, until he finally had an epiphany one day at rehearsal after talking to me. He quit the new band that day, told me he wasn't going to do music anymore, and seemed very, very happy.

And you know, I'm happy for him. Because now he's returned to the Yue I remember up until he started thinking about leaving this summer.

He made a promise that we were going to make the last few shows great, and so far, we've lived up to that promise. The last several have been quite good, and I'm excited to play our last one.

What will happen to Ryota and I? Well, Ryota's tracking down a drummer first, and then we can worry about vocalists. Hidetora and Narciss are committed to helping us out, and they're suggesting certain bands and certain guys we should chat with. I am grateful for their intentions.

So in the interim, session bands might be in the works. We'll see. That I shouldn't really talk about yet.

Kyuketsuki & friends as well as Bunny came because they're just way too awesome friends.

La Carmina came again, and this time took wonderful 70's glam/80's goth-esque black-and-white shots.

Here's her original writeup.

And once again, here's a truckload of shots I couldn't narrow down because there were tons and I liked a lot of 'em.

Last one with the "original lineup" is 11/23 at Narciss, and there's a free CD for anyone who reserves a ticket through our website, so I'd love to see you all there!